A.S. Hamrah is a frequent contributor to n+1, where his writings on the cinema can be found. Most recenrly, he has contributed to Defining Moments in Movies, edited by Chris Fujiwara. Interview conduc...
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The Oxford English Dictionary is going out of print! The NYTs Manohla Dargis and A.O. Scott on the uncertain future of Cannes. Screw you feminists and your overanalysis of recent pregnancy blockbuster...
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This is/They are crazy: Werner Herzog and David Lynch are making a movie together! Yeah, I graduated from NYU on Wednesday, and in the spirit of graduation I bring to you (via Gawker) ten Commencement...
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By Ricky DAmbrose “You can’t do camp on purpose,” Ms. Sontag says (although Mr. Haynes does not think so). Todd Haynes’s cinema absorbs the camp attitude; camp becomes a starting point for a career (f...
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I refused to sign the absurd online petition that was drafted to stop Uwe Boll from making more movies. Not because I do not believe in the power of online petitioning to accomplish social change, but...
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By Ricky DAmbrose It’s a question of having the feeling for reality. - Federico Fellini, in an interviewThe political and cultural developments of Italy over the past half-century are also the develop...
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by Gleb Sidorkin There Will Be Blood was interpreted by most critics as a broad allegory for the pitfalls of individualist American-style capitalism. But the story of a powerful oil man getting ridicu...
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