What are books, mags or blogs without images? And they can’t be just any old pic – no, they have to take you to another head space altogether. In recent years illustration has really crossed into new territory – inspiring while still, well, illustrating – telling a story. Two women whose work I love have quite a different style, but that perhaps is their crowning achievement – they are so distinct. Oh, and I’m desperately running short on space so pop onto my blog Daily Imprint for more…
Burst of inspiration: Kat Macleod
Illustrator; agency: ; Kat’s graphic design company:
How did you become an illustrator?
I was working at graphic design studio as part of a university placement program. My bosses knew I loved to draw, and they offered me a studio-based project to illustrate a collection of drawings, which they would then design and publish into a book. I chose birds and women as my subjects, and experimented with illustration, embroidery and collage. Bird was published in 2002. It’s a 200-page limited-edition, internationally distributed art book. It won several design and illustration awards.
What’s a “day in the life” of Kat Macleod like?
I run a graphic design company - with Simone Elder and Chloe Quigley - called Ortolan, the name of a tiny French songbird. We work on lots of lovely projects, including fashion, beauty and publication. Chloe is half of Michi Girl so we do that from here, too. Most days my time is divided between illustration and graphic design work, although lately it’s been 100% illustration.
Where do you look to for inspiration?
Our studio is an inspiring place to work, but if I need to go searching I go to the library and photocopy references - good covers, old patterns, kids book illustrations, interesting typography and anything else that catches my eye. There are so many strange and great colour combinations in old books.
Who inspires you?
My amazing business partners Chloe and Sim, my friends & family, and an endless list of illustrators - my absolute favourites being: Julie Verheoven, Tina Berning, Rene Gruau, Aubrey Beardsley, Quentin Blake, Arthur Rackham and all the artists at Jacky Winter.
Which projects have you enjoyed working on most?
Epic illustration projects such as my book Bird, and also The Cocktail, which was an illustrated cocktail recipe book. It’s great to become completely absorbed in big projects, and be able to spend months drawing and creating a collection of pieces. I also enjoy smaller projects, such as the illustrations I do for each issue of Vogue Entertaining + Travel, and Real Simple. Another favourite client is Third Drawer Down. I’ve done illustrations for an apron, handkerchief, and two new pieces coming out in March - a decal and a set of pillowcases.
Burst of inspiration: Emma Magenta
Illustrator; author
How did you develop the “Magenta” character?
She evolved from drawing at the front desk at Berkelouw Books in Paddington for many years. I would stick my drawings to the wall behind the desk and also place one in the front window, which drove my boss quietly insane at first. I mostly worked the night shifts and when you work a casual job until midnight you can begin to connect with a very interesting place within yourself. Thankfully, I found this alter-ego character to have a conversation with and often she would inform me of confusing feelings about various things. I would never draw her until I experienced a certain feeling of excitement about what she had to say. And I would draw her with my left hand, so as not to be distracted by intellect and to let the pen just create the feeling of her. You could say she emerged as a response to finding hopeful solutions to a series of pressing issues that I felt were obstacles to joy.
What came first – the illustrations or the words?
More often than not, the drawing would come first, however, there have been times when I have overheard something that’s VERY funny and it opens a door in my mind to create a drawing. When I write a book though, it is a little less spontaneous. I write a lot though, continuously in fact, and things emerge, reoccurring motifs of an idea that I realise I am trying to work out for myself, so the book becomes how I arrive at the solution for myself.
What’s the story behind the publication of the first book?
That was an incredible and magical thing. Bradley Trevor-Grieve and Deborah Bibby walked into the shop one evening and purchased two of my drawings. Together they offered me a book deal through a publishing house they created together called Night Butterfly. Later my work was sold to Random House Australia and Andrews McMeel in the US. It was pretty much through the belief and support of these two people in my work that my book came to fruition, and I am forever thankful to them both.
Who inspires you?
It is a strange list. Certain friends of mine who are extremely funny really have to take first place. My son Orlando and Arturo, Orlando’s father, inspire me every day. Then there are better known people like: Jane Goodall, David Attenborough, Lisa Gerrard, Louise Borgeouis, Frida Kahlo, Remedios Varo, Bjork, Andy Warhol, Shaun Gladwell, Bill Viola, the imagination of JKRowling, Sylvia Plath, Jeanette Winterson, JD Salinger, Rumi, Tove Jansson… so many… then there is some kid’s hand-made, hand-painted book about an unhappy cow who had a dream that I saw up in Jabiru Public Library in Kakadu National park… it changed my entire life.
What’s next?
I have just completed illustrating a children’s book written by Toni Collette called Planet Yawn. It is due for release in October and that was a pretty exciting project. I am currently making my first animation. I was offered the opportunity by Hopscotch to write and draw an idea that I had been nurturing for a while about a character called Phillipa Finch. It is a very exciting project that is bringing together the talents of the boys from The People’s Republic of Animation, the music of Tony Dupe and the voice of Toni Collette.